Can a Cabaret be a Distraction?

I’m a little bit speechless.

Last night I went to see “Cabaret” at the Straz Theatre in Tampa. I was offered 2 free tickets through Tampa Bay Bloggers. I had never seen the show or the movie, nor had I read the book it was based on. I knew a few of the songs, and I knew there was a Fosse connection and a Liza Minnelli connection. (The 1972 American musical drama film was directed by Bob Fosse and starred Liza Minnelli, Michael York and Joel Grey.)  

My daughter was in “Chicago The Musical” a few years ago – also Fosse – and I expected something similar. Now, Chicago also has women running around scantly clad. Chicago also has great song and dance moments. Chicago also deals with relationships and human flaws. And DEEP DOWN Chicago is about press, media and our f’-ed up legal system, but with a lot of fishnets and razzle dazzle to keep you engaged while telling its morals.

“Cabaret” started similarly for me. Fun songs, girls in a nightclub being naughty, skeletons coming out of the closet. And I knew in advance that the setting was pre-Holocaust Germany. Here’s this handful of normal people learning to handle their lives in the best ways they know… should there be booze and drugs? Should they be married or free to try anything in any bedroom?

“Then bang! Crash! A lightning flash!” (That’s from “Into the Woods.”) And you’re forced to choose sides. You’re forced to decide what’s good and what’s bad. Suddenly a night at the club won’t erase the craziness going on around you. 

Sound familiar???

I was hoping to escape reality for a couple hours. The show even welcomes you that way! You’re invited to sit in the Cabaret and forget what’s happening outside the door. “Leave your troubles outside! So, life is disappointing? Forget it! In here life is beautiful,” (That’s how yoga class starts, but the way.) What a tease. Suddenly – swastikas, nazis and concentration camps!

Now, I thought perhaps the show might tie in Nazi Germany in a creepy, “Sound of Music” kind of way. Umm, nope. It’s more of an in your face, make your stomach turn kind of way. And in today’s political unrest, it’s awfully hard not to use that as a way to shine a light on what’s happening in the USA in early 2017.

The set is sparse and perfect. The on-stage orchestra above the show is nothing less than I’d expect from Roundabout Theatre Company. Playbill shares great photos here. And that voiceAndrea Goss, who holds back and reels you in, and then fills the theatre with her grand and gorgeous voice from such a tiny package… it’s amazing! (She understudied Michelle Williams, Emma Stone and Sienna Miller in this role of Sally Bowles. Her Broadway credits include “Once” and “Rent.”) Have a listen here.

Todd Haimes, the artistic director of the Roundabout Theatre Company, said, “I think it’s something that should be seen by every generation.”

 

It probably should be, lest we forget.

 

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