You might find something new about the beloved classic finishing its tour in Florida this month. No, I don’t mean Dorothy’s dungarees – although I loved that addition, because who works on a farm in a dress and petticoat??! I meant the show’s name. It’s now Andrew Lloyd Webber’s “The Wizard of Oz”. The new stage adaptation includes new songs by Tim Rice and Andrew Lloyd Webber. The tour I saw starred Sarah Lasko as Dorothy, and she was adorable with a showstopping voice. She truly sounded like an effortless Broadway talent through the whole show. The only part of the show better than Sarah was the powerful orchestra. Sometimes I hear the start of an overture in my theatre seat and get carried off into the show, but when I heard the first notes at “The Wizard of Oz”, I took stock and noticed how full and rich the sound was. It held throughout the show with emotion and power, and also cute added sound affects.
Back to Dorothy’s pants… not only are they practical for a girl on a farm, they’re kind of taupe. In fact, much of the first few scenes has the color notes of a dusty Kansas plain. This echoes the opening and closing credits as well as the Kansas sequences from the film. Just like the color parts of the movie astounded viewers when it first aired on television, audiences will love when colors and flowers and rainbows brighten the stage production.
One of the new lyrics of the show is “mainly magic, slightly science,” and that’s what this hopeful, wondrous musical is made of. It has love and laughter, a little touch of evil, fairy dust, magic wishes – with a message and musical score great for all ages to enjoy. There were many little girls of kindergarten age around me in sparkly, red shoes enjoying the show and the special affects. They were so proud of themselves when they knew the set was moving or that the lighting was coming from above and behind them. They seemed more afraid of the storm than the witch – I think Glinda was the alpha-witch in this version.
Basically, the only people I think who won’t enjoy this show are those who really hate the movie. And I’m not sure those people exist. Most people sat like me, riveted, singing along in their heads (I could tell by the head bopping), and knowing exactly what was going to come next. It was slightly more modern, more obviously gay friendly, had people laughing out loud, and caught even diehard fans by surprise at times. Although the stage show does not follow the movie exactly, the only part I really missed and wished I had heard was this little tune. (And I was surprised the flying monkeys weren’t carried away on a wire.)
Last night, while I lay thinking here,
Some Whatifs crawled inside my ear
And pranced and partied all night long
And sang their same old Whatif song:
Whatif I’m dumb in school?
Whatif they’ve closed the swimming pol?
Whatif I get beat up?
Whatif there’s poison in my cup?
Whatif I start to cry?
Whatif I get sick and die?
Whatif I flunk that test?
Whatif green hair grows on my chest?
Whatif nobody likes me?
Whatif a bolt of lightning strikes me?
Whatif I don’t grow talle?
Whatif my head starts getting smaller?
Whatif the fish won’t bite?
Whatif the wind tears up my kite?
Whatif they start a war?
Whatif my parents get divorced?
Whatif the bus is late?
Whatif my teeth don’t grow in straight?
Whatif I tear my pants?
Whatif I never learn to dance?
Everything seems swell, and then
The nighttime Whatifs strike again!
I always thought the poem above was relatable but exaggerated, until I had a daughter with high anxiety. Whatifs drove her crazy. I think a combination of high intelligence and a vivid imagination allows her to think of many possible outcomes every time she is faced with a decision. She immediately conjures up worst case scenarios. This can help with being prepared for many situations, but imagine applying to college when your brain works overtime trying to sabotage you?! And so we tried talk therapy to help my daughter learn to calm the whatifs. She need to sleep soundly each night. She needed to not have rigid shoulders up to her ears in stress. And early in high school after she met with Dr. Deb for the first time, she left saying, “I wish I had started therapy in fourth grade.”
May is Mental Health Month, with a mission to spread the word that mental health is something everyone should care about, not be scared to talk about. Although I know what it feels like to have my mind racing or feelings of high anticipation, I also know it is not the same thing as true anxiety. Over 21% of adults (42.5 million) are affected by debilitating anxiety each year! Cognitive-behavioral therapy is the tactic I have read up on the most to help my children understand their thinking patterns so they can react differently to the situations that cause them anxiety. It gives them a great toolbox to turn to in times of stress.
For my day-to-day whatifs, what works best is a quiet yoga class and meditative breathing exercises. Although I sometimes wonder whatif, I can use these tools to dispel the mind racing that might have once kept me awake at night. Instead, a like to think of my whatifs as a little healthy daydreaming. What if I had a Master’s Degree? What if one of my daughters loved ballet class instead of sports? And the biggest question of my life – what if I hadn’t contracted colitis during sophomore year of college and come home sick and met that cute guy named Brian – my husband of nearly 20 years?
If/Then is a contemporary Broadway musical about the whatifs that come along with living in New York as an adult today. When you are on your own and making adult decisions that have a domino affect on your future and those around you, it gives you pause to wonder and consider the many possible outcomes.
When I first heard about “If/Then”, it was often compared to the Broadway musical “Rent”. I don’t like the comparison – mainly because If/Then is much less edgy and deals with a slightly older crowd, maybe 10-15 years after the lives of those in Rent. But LUCKILY Anthony Rapp of the original Rent cast AND the Rent movie cast is touring with If/Then right NOW and you can see/hear him at the Straz Center if you get your tickets this week!
The top three reasons to see If/Then in Tampa this week are Jackie Burns (played Elphaba in Wicked on Broadway), Anthony Rapp (from RENT as mentioned above) and Tamyra Gray (from the first season of American Idol.)
Brian Yorkey and Tom Kitt, the writer and composer team of If/Then, literally composed songs for Idina Menzel (Wicked, Frozen). Idina’s first Broadway job was in — Rent! Also in the original cast of Rent was — Anthony Rapp. And now Jackie Burns has followed in Idina’s footsteps twice, playing both Elphaba in Wicked and Elizabeth in If/Then – touting similar dark locks and a belting voice that won’t quit. Notice the serendipity? The interconnectivity? The stuff that makes you wonder if it’s a coincidence or fate? THAT is what If/Then is all about!! Like the line “We somehow find each other in each other’s eyes” from the If/Then song “Ain’t No Man Manhattan.”
There’s minimal dancing in this show. It highlights characters, lives, stories, and voices. It shows how we’re braver with great friends by our sides (or capes on our backs) and that the amazing joys life brings usually make the crap tolerable. It also deals with the delicate balance many women face of pursuing a career head-on or focusing on family, and how both routes bring joy but both force women to learn to live without some desires.
The show started kind of cheesy for me, but the voices kept my attention and the ending roped me in and made me a fan! If/Then is playing May 19th-22nd (mostly evening with 2pm matinees Saturday and Sunday) at the David A. Straz Jr. Center for the Performing Arts, Carol Morsani Hall, Tampa. $40-$95. (813) 229-7827 or strazcenter.org. Upcoming Broadway shows include “Jersey Boys”, “Into the Woods”, “An American in Paris”, “Cabaret”, “Wicked” and much more!
Hurry, guys! “Beautiful – The Carole King Musical” is only in Tampa through May 1. This Broadway-touring jukebox musical uses songs written by Carole King through the ’60s and early ’70s as its musical score.
This might be the Carole King sound you are familiar with, and it’s certainly the sound I grew up with (Thanks, Mom!):
Then, when I was in college I was reintroduced to Carole King as the mind behind the music of “Really Rosie”. A series of books by Maurice Sendak (also author of “Where the Wild Things Are”) were pooled together as song lyrics, and Carole wrote the music. Although this happened when I was a little kid, it was at Barnard College that I auditioned to be in the show. A fellow student was directing, and we were to perform the show in public school auditoriums around Manhattan. I landed the role of Pierre:
When I learned the musical “Beautiful” was coming through Tampa at the Straz Center, I was excited to see it! Before tickets even went on sale, PBS hosted a biographical show about Carole King and re-aired Carole King and James Taylor Live at the Troubadour. It was from these shows that I learned Carole actually started her career as a songwriter in her teens (as did Taylor Swift), and after marrying Gerry Goffin, he primarily wrote the lyrics while she wrote the music. Even their beautiful, feminine ballad “(You Make Me Feel Like) A Natural Woman” had lyrics written by a man!
She is a four-time Grammy Award-winner, a Rock and Roll Hall of Famer, a 2015 Kennedy Center Honoree and the first woman to be awarded The Library of Congress Gershwin Prize for Popular Song. To date, more than 400 of her compositions have been recorded by more than 1,000 artists, resulting in 100 hit singles – even songs for Aretha Franklin and The Beatles. Needless to say, I was honored to be selected as a Tampa Bay Blogger to receive 2 complimentary tickets to the show at the Straz Center in Tampa, Florida, in exchange for my honest review.
“I always had confidence in the fact that when I played music it touched people in some way,” Ms. King says in the PBS special. Similarly, in the musical, a teenage Carole tells her mom that a good song makes her feel “like I have a friend in the room.” And when she paired up with lyricist Goffin, “his words expressed what so many people were feeling but didn’t know how to say.”
And that music with its simple but intelligent lyrics is one great big reason to see this show. There’s a live orchestra, and the cast is singing love – none of that paying for a concert but getting a lip sync show that is huge right now in pop culture!
From the first few bars of the overture opening, I was hooked. I recognized that bit of “I Feel the Earth Move” and got roped in. It’s a song I run to on the treadmill, although admittedly I think I first heard it from Martika. Little by little the audience found themselves bopping along to song after song they probably didn’t even realize was a Carole King masterpiece.
The sets are not flashy, and incredibly they focus on pianos! What a refreshing treat to have a piano in almost every scene, spinning from one end of the stage to another to represent someone else’s home or office.
But the real reason to see this show are the amazing voices. From the stars to the bit-parts, everyone’s voice will wow you! I saw Abby Mueller as Carole, and you can tell she’s holding in that belting voice throughout the show – but when it comes out full and strong towards the end, you’ll know it – you’ll feel it! I was dancing throughout the bows and encore, and I’m still singing in my head a day later.
For a bit more Carole King music at home, catch “Carole King: The Library of Congress Gershwin Prize In Performance at the White House”, a PBS music special. President and Mrs. Obama hosted the event in honor of singer-songwriter Carole King’s receipt of the Library of Congress Gershwin Prize for Popular Song. The evening included performances by King, as well as by Gloria Estefan, Billy Joel, Jesse McCartney, Emeli Sandé, James Taylor and Trisha Yearwood.
But to see this fabulous show retelling the story behind some of America’s most beloved early pop songs, get to the Straz Center in Tampa through May 1, 2016, in Carol Morsani Hall. It’s a great date night, girls night, Mother’s Day gift, or just for the love of music! The format is like “Jersey Boys” and the songs are pretty much the ’60s wrapped up with a bow and handed to you on a baby grand piano at Carnegie Hall.
When I first moved to St. Petersburg about 18 years ago, there were 2 movie theaters in the vicinity of Tyrone Mall – one in the mall and one across the street from the mall. They both closed at some point, and people on the west side of St. Petersburg were unhappy. They either had to drive south east to downtown and go to movies at Sundial, or east to Pinellas Park to the Park Place cinema.
Cobb Ribbon Cutting – Hi Mayor Kriseman!
The other day, I was driving with Brian from Tyrone Mall to Total Wine, and we saw a sign for Cobb Theatre. I got a little excited, but I had heard rumors of a Cobb Theatre in that area for over 2 years. This time, however, there was actual construction going on – right in the big empty parking lot on the edge of Tyrone Mall. The same big, empty parking lot where I took both of my girls to drive for the first time right after receiving their driver’s permits!
Now instead of a bunch of parking spaces there is a Buffalo Wild Wings and a Cobb Tyrone Luxury 10. The Tampa Bay Bloggers were invited to a sneak preview of the new theatre, and I attended the ribbon cutting 2 days before it opened. In exchange for a fun night out and 2 goodie bags, I agreed to inform all you guys about the new theatre.
When you walk in, you’ll see first that there is a kitchen area, bar, and bistro. That’s because there is a full menu, full bar, traditional movie goodies and a party room to eat at while enjoying your time in the theatre. If you want to eat a full meal while watching your movie, they’ll give you a tray that fits in the cupholder of your seat – quite well I might add.
On the night of the ribbon cutting, I tried beef burritos, fresh made cheese pizza, a Habanero Lime chicken wing, sautéed shrimp soft taco, Acqua Panna bottled water, soft serve make-your-own sundae and a few sips of the refreshing Italian sparkler Lunetta Prosecco.
I didn’t get to try the dynamite shrimp, but I hear they are awesome! I also need to try the flatbread with figs, Caramelized Onions and Brie Cheese!
Me with my sweet potato yummy goodness on my special tray
And just when I thought I tried it all, more desserts came out – Housemade Bread Pudding with White Chocolate Chips & Bailey’s-Cognac Caramel Sauce. These little bites were mushy and sweet! But the best of the best were the sweet potato hushpuppies with Marshmallow Dipping Sauce! They tasted like french toast sticks – with a crisp to the outside and mush in the middle. These are what carried with me into the theatre to eat during the movie. And some may have been dipped in my ice cream. Now, don’t go thinking this was all just for the ribbon cutting. You can enjoy these goodies with your next movie too – plus lots more! Burgers, beer, coffee, raisinets, icees… The full menu is online here.
When you step into the theatre, the red pleather seats are all reserved, reclining seating. There’s a button to push that leans your seat back and pops out your footrest, and another to bring the seat back to normal. And if you press the button but let go after just a second or two, you can recline it to just your perfect level – it’s not an all-or-nothing recline. Love that! So if you need to adjust mid-movie, you can and your back won’t start to hurt!
I came across this on the internet a few weeks ago. It made me stop and think about self esteem, self awareness, self love, and all those voices in my head telling me when I can and can’t have dessert.
But if you see “Matilda The Musical” at the Straz Center while it’s in Tampa, this is the perfect quote to go along with it. There’s a lot of great singing, dancing, rhyming, lyrics, fanfare, light-up letters — but the story actually has a lot of thoughtful moments about self esteem, self awareness, self love, and all those voices we hear in our heads.
I was given 2 complimentary tickets to Matilda the Musical by the Straz through Tampa Bay Bloggers for the purpose of this review, but all musings are my own.
I don’t think I ever read “Matilda” by Roald Dahl, although I have read many of his books. And I never saw the movie all the way through either. I knew she read a lot and her parents were stupid and mean, but that was about all.
The hilarity of Matilda the Musical first became known to me when I saw some children singing on their desks to “Revolting Children” on a talk show. It was catchy. I wondered if the show was like “Annie” for today’s generation. (It’s not, it’s a bit darker and more mature.)
Then some boys from school performed “Telly” in a thespians competition. When they won, they came back to campus and performed it at an assembly for their peers. I was there to video record:
The lyrics and innuendos cracked me up! A little googling taught me that Tim Minchin wrote the music and lyrics. Well, no wonder! He had me going from the G-word!
(and if you don’t know who he is or what I mean, you need to stop and watch his eyelinered, sarcastic, piano-playing antics in the song “Prejudice” right now. And give it a minute, you WILL be snorting with laughter. Trust me.)
The author of peacebang.com said in her post about Matilda The Musical, “I don’t know how the writers (Minchin and Dennis Kelly, who wrote the book), director (Matthew Warchus, and I’m bowing down to you, sir), brilliant choreographer Peter Darling, design team, and cast managed to channel the complex, slightly macabre, melancholic and outrageous world of Roald Dahl, but they did.”
So you have serious, bookish Matilda who is berated at home, off to school with the spoiled children of her generation who all think they are entitled miracles, with a bullying headmistress (in drag) who calls them all maggots – and in the meantime she has stories coming to her head about amazing acrobatic feats. The big kids at school are trying to scare the ABCs out of her (in creative and clever ways!), until suddenly Matilda just needs a break!!
And there toward the end of Act 2, she gets one when she starts to “see red” and try some telekinesisin the song “Quiet”, when my favorite lyrics are sung:
Quiet Like silence, but not really silent. Just that still sort of quiet. Like the sound of a page being turned in a book. Or a pause in a walk in the woods.
My experience with Matilda continued over the pond in June 2015, when my family was planning a trip to London and we wanted to see a show in the West End. We actually went back and forth between “Matilda” and “Wicked”. We knew both would be in Tampa soon, and it seemed “Matilda” would just have more of its intended flavor in London. In the end, we got tickets to both show, but because we waited so long to make our decision, Matilda was nearly sold out. We ended up reserving a private box in the back of the theatre for the the four of us. It had a little wooden door to enter from the back, and was painted the perfect shade of azure blue with gold stripes along the top. We sat back there in a small, intimate theatre, in our small, intimate box with our shoes kicked off and our tongues blue from blue raspberry bon bons recommended by the cashier at Hope and Greenwood candy shoppe. (They started out like gum and ended up evaporating into a texture like cotton candy but full of flavor. Magically Delicious!) and the audience was packed with children. The average age must have been 12. And we were lost in the music and performance from the first notes.
Then… fast forward a few months. I was back at work and we were hosting a talent contest (I work in a school), and a small 5th grade girl auditioned with “Naughty” from Matilda. I literally cried. She did about 2/3 of the song and most of the choreography, and I had to explain to the other adults that the lyrics were about this kid getting back at adults who were abusing her, and that’s why I was crying.
nobody else is gonna put it right for me
nobody but me is gonna change my story
sometimes you have to be a little bit naughty.
This little girl won our talent contest (video here), and went on to perform “Naughty” for the city-wide version of the talent contest. She didn’t win there, but she was one of the few kids on stage and knocked our socks off.
And I thought my connection with this show might end there, until I just saw it this week in Tampa. All those wonderful, clever, slapstick lyrics and stomping, youthful performers came flooding back! It’s got the same choreographer as Billy Elliott. The staging includes climbing on bars, gym equipment and swings. Books and letters light up and swirl around you. It simply transports audiences!
The best way to get a taste of the show is from this medley from the Tony Awards:
(Matilda won 5 Tony Awards and over 45 other awards worldwide.)
Matilda wants to teach others that we each have within ourselves the power to change things that are bad. She wants us to have a sense of justice and fairness. The show “address the horridness of the world with cleverness” was how it was described in this BBC Radio interview.
When I saw “Matilda The Musical” this week, it was part of the Straz series of Broadway Family Nights. There were jugglers and people on stilts outside before the show interacting with the kids, there was a board with sticky notes to finish the sentence “When I grow up…”, and there was a talk back after the show with 4 of the performers answering questions.